Gemini finds Tatum constructing a striking, solitary monument to just about anyone who moped, sulked, or bedsat their way through the 1980s. His love of dreamy, fuzzy, handcrafted guitar-pop isn't far removed from the Radio Dept. or the Pains of Being Pure at Heart, but he displays a more comprehensive and widespread commitment to classic indie pop sounds. Revivalism notwithstanding, his craftsmanship is undeniable and the details are spot-on: Check the reflective bell tone in "Live in Dreams", the Cocteau Twins-like, artificial synth tom in "Drifter", and the Johnny Marr homage in the twinkly guitar fade-in that begins "Our Composition Book".
warehouse[youtube
http://www.youtube.com/watch?v=DsaH2kGnYvc]