It seems almost contradictory to describe Prominence as finicky. John Peña's sophomore album as Heavenly Beat is, after all, light, beachy stuff, its relaxed pace driven principally by acoustic guitar plucking and easygoing synth-pop percussion. But the word can certainly be applied to the former Beach Fossils bassist's meticulous production, a note-by-note construction of the album's breezy electro-ballads in which the attention to details both important and trivial seems almost microscopic.