It has been 13 years since Should's last album proper, the complex shoegaze/postrock haze of 1998's Feed Like Fishes.

While much time has passed, the core elements of Should have not wavered: the ultra-sweet male/female vocal melodies, the penchant for the unexpected, and the ability to find beauty in the minimal.

The band's immaculately crafted third album, Like a Fire Without Sound, infuses the pop sensibilities of Eno and Yo La Tengo while maintaining the personal eccentricities and atmospheric flourishes that have always set Should apart.